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ALICE SPRINGS : Front Row
In collaboration with the Helmut Newton Foundation
Exhibition from July 07, 2025- August 16, 2025
Open House : July 16, 2025 5pm-8pm
Opening Hours during Rencontres opening week :Monday 07th -Sunday 13th July
11pm to 1pm/2pm to 7pm
Expect thursday 10th july opening to general public only from 3pm
And by appointment.
Galerie Huit Arles is privileged to present photographs of Alice Springs, in collaboration with the Helmut Newton Foundation, which manages her estate. The exhibition Front Row will feature nearly 50 portraits of leading figures from the international art and fashion scenes and opens alongside the Rencontres d’Arles 2025, the legendary festival of photography.
​The list of those who sat for Alice Springs reads like a who’s who of the cultural, creative and intellectual elite on both sides of the Atlantic – including Claude Chabrol, Christopher Lambert, Jacques-Henri Lartigue, Sebastião Salgado, Anna Mahler, Christopher Isherwood, Bruce Chatwin, Jean-Paul Gaultier, Azzedine Alaïa, Vivienne Westwood, Robert Mapplethorpe, André Leon Talley, Yves Saint Laurent, Diana Vreeland, Wim Wenders, William Burroughs, Agnès Varda, Michel Foucault, Karl Lagerfeld, and Andrée Putman.
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June Newton began working under the pseudonym Alice Springs in 1970.
She exhibited alongside Helmut Newton several times, most notably in their joint photo project Us and Them. Like her husband, she worked across three genres – portrait, nude, and fashion/advertising photography – though with different sensibilities. Her portraits in particular remain striking for their
emotional intensity and unvarnished authenticity. In these character studies, she managed to convey not only a person’s appearance, but their aura. The images continue to resonate today with a blend of empathy and curiosity about her contemporaries. The wordless dialogue that shaped these extraordinary portraits seems to have been grounded in a kind of kindred spirit.
June Newton’s career as Alice Springs began in 1970 in Paris, when Helmut Newton came down with the flu. Standing in for him, she asked for a quick tutorial on the camera and light meter, then photographed an advertising image for the French cigarette brand Gitanes. The resulting portrait of a smoking model marked the start of a new path for the trained stage actor, who had been unable to find work in France due to the language barrier.
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Although many of those she photographed came from the cultural jet set, Alice Springs made no distinction between social classes as a matter of principle. Alongside portraits of prominent actors, directors, and writers, she also photographed anonymous punks in Los Angeles –reflecting her broad interest in people from bourgeois to bohemian. Her focus was almost always on the face, often framed tightly as a bust or three-quarter view, typically without props. Shot quickly and spontaneously using simple camera equipment, the images reveal vanity or self-assurance, openness or restraint. They become visual commentaries – interpretations that grant each individual a distinct presence. Time and again, she added unexpected dimensions to familiar public images while avoiding cliché. Her deep understanding of acting may have helped her look both at and beyond the surface of human expression.
From 1977 onward, Alice Springs’s black-and-white portraits were regularly published in the French magazine Egoïste, with several appearing on the cover. She also received editorial commissions from Elle, Stern, Vanity Fair, and Marie Claire – many of which remain relatively unknown today. Her final commercial shoot was a series of color photographs for a Gillette razor campaign in 2004, taken just days after her husband’s sudden death in Los Angeles. Helmut Newton had originally been booked for the assignment, and Alice Springs stepped in to take it on in his place. Few photographs followed, making the Gillette series the closing chapter of a photographic career that had begun with a similar substitution in Paris more than three decades earlier.
A small selection of portraits that Alice Springs and Helmut Newton took of each other rounds out the exhibition. In this way, the circle closes multiple times, as the life and work of June and Helmut Newton were deeply intertwined – neither fully imaginable without the other.
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Note to Editors
About Galerie Huit Arles :
Founded in 2007 Galerie Huit Arles has acquired a solid reputation for the careful selection of its artists– both established and emerging – and the quality of its hangings and installations. Exhibitions are curated either independently or in collaboration. Partners have included: The Victoria & Albert Museum, London, Factum Arte Madrid, The British Journal of Photography, Photo Doc Paris, and Galerie SIT DOWN, Paris.
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​About the Gallerist :
Julia de Bierre is an author, gallerist, and heritage activist, living and working between France and Malaysia, where she was born. She is an active member of Gallery Climate Coalition and analyses the carbon footprint of each exhibition. Her interest and expertise in photography was intially inspired by her close frienship with Helmut Newton and his wife June, who worked under
the name of Alice Springs.
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